Biography
Shaul Bustan is a versatile artist who, as a composer and conductor, moves naturally between cultures and genres. He was born in 1983 in a small kibbutz in the Negev desert of southern Israel. Growing up between his mother’s Persian heritage and his father’s Eastern European background, he was shaped early on by two distinct cultural worlds, which became the foundation of both his musical language and his artistic curiosity.
Today, Shaul is based in northern Germany, living close to water and forest. The surrounding landscape has quietly entered his music, shaping its atmosphere and sense of time.
“Seagulls circle above a soundscape woven from the waves of the fjord. A ship approaches. It hums, pushes itself into the field of sound (…) We hear how a place breathes.” kulturkanal.sh
After earning his Master’s degree in Composition from the Jerusalem Academy of Music and Dance in 2009, Shaul began composing for many formats, from opera and chamber music to orchestral works and music for film, theatre and dance. His work often unfolds as a dialogue between carefully shaped form and open improvisation, creating music that feels both grounded and alive. His compositions have been performed by the Israel Philharmonic Orchestra, the Wuppertal Symphony Orchestra, the German Chamber Orchestra Berlin, the EOS Chamber Orchestra Cologne and the Jewish Chamber Orchestra Hamburg, among others, and conducted by Omer Meir Wellber, Patrick Hahn and Susanne Blumenthal. He has also written numerous arrangements for Avi Avital and Giora Feidman.
A formative influence was his study with the composer and conductor Aharon Harlap, a student of Hans Swarowsky, with whom Shaul spent two years studying conducting alongside composition. Since then, conducting has been part of his work as a composer. In 2021 he founded Ensemble Flensburg, a cross-border ensemble for communicative new music, which he has led as artistic director ever since. Since its first concert in October 2022 he has conducted 14 world premieres with the ensemble, including works by Ceren Türkmenoğlu, Khadija Zeynalova and Kenneth Dahl Knudsen. From the 2026/27 winter semester he also conducts the Junges Ensemble Flensburg, the new chamber orchestra of the Europa-Universität Flensburg.
His musical roots lie in performing. After a Bachelor’s degree in mandolin, Shaul worked for many years as an instrumentalist, focusing on plucked instruments and double bass. Today he plays the oud, a Middle Eastern short-necked lute, mainly in special projects with his own music. In 2023 he appeared as soloist in the premiere of his orchestral work Winter with the German Chamber Orchestra Berlin in the Great Hall of the Berliner Philharmonie, and with his trio he has performed at the Schleswig-Holstein Musik Festival and Radialsystem Berlin. With his guide How to Write for Oud he encourages composers to write new music for the instrument.
Education and community building naturally flow from this artistic practice. For more than twenty years, Shaul has conducted choirs and amateur orchestras, led workshops, and built musical communities rooted in togetherness and shared curiosity. In recent years, he has brought a new wave of projects to the far north of Germany, most notably Weltivale (2024), a mini-festival for new world music in Flensburg. With his non-profit organisation Tacheles Kultur he brings new cultural projects to life and internationally renowned artists to the city. Shaul is currently writing his first book on composition, I, Compose?! (working title), conceived as a friendly, accessible guide for amateurs, students, and professional musicians, encouraging confident first steps into composing.
His work has been recognized with several awards, including First Prize at the International Tapiola Choir Choral Composition Competition (Finland, 2020), Best Music at the International Film Festival of Ahmednagar (India, 2021) and the Avni-Yaddor Composition Prize (Israel, 2008). He has been supported by the German Music Fund, the German Music Council, the Cultural Foundation of the State of Schleswig-Holstein and the America-Israel Cultural Foundation.
Across all of Shaul’s work, one thread remains constant: a deep belief that music can bring distant worlds closer together, not by smoothing out differences, but by letting them speak to one another with honesty, curiosity, and joy.
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